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20 Years of Varan – Documentary Filmmaking in Vietnam

20 Years of Varan – Documentary Filmmaking in Vietnam

The year 2025 marks two decades of the establishment and development of the Varan documentary film workshop in Vietnam – a program that has nurtured the first generation of independent documentary filmmakers in our country. Notably, 2025 also marks 20 years since the workshop was first held in Ho Chi Minh City.

This year’s film screening and symposium series are jointly organized by Varan Vietnam, Ho Chi Minh City University of Theatre and Cinema, and Fulbright University Vietnam, aiming to connect generations of filmmakers and offer students opportunities to explore the storytelling methods of direct cinema documentaries.

SESSION 1 (November 19)
Location:
Fulbright University Vietnam
Time:
1:30 PM – 2:45 PM | November 19, 2025
Topic:
Saigon Urban Life
Film Screening:
Tổ ấm – Phan Huỳnh Trang
Xóm Trường Tiền – Nguyễn Việt Anh Thư

A scene from the movie “Tổ ấm – Phan Huỳnh Trang”
A scene from the movie “Xóm Trường Tiền – Nguyễn Việt Anh Thư”

SESSION 2 (November 21)
Ho Chi Minh City University of Theatre and Cinema

Screening
Time: 1 – 1:30 PM
Topic: Labor in the City
Films:
Mùa hè nghiêm – Lê Thu Minh
Lân múa – Nguyễn Mộng Long
Những kẻ tập sự – Phạm Thị Hảo

Screening
Time: 2 – 3:15 PM
Topic: Mental Health – Workshop 2024
Films:
Phòng thu bí mật – Nguyễn Thiên Ân
Toàn ơi – Nguyễn Hồ Bảo Nghi
Gió mùa về – Lê Thị Thắm


Symposium: “20 Years of Varan – Documentary Filmmaking in Vietnam”
5:30 PM, November 21
A conversation about the development of direct cinema documentary filmmaking in Vietnam from 2004 to the present.
See you at these special screenings. Registration link here: https://docs.google.com/forms/

Times

Nov 19 | Nov 21, 2025

REGISTER

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This year’s program includes several works by members and alumni of Varan Vietnam - films that carry a spirit of observing life, closeness to their subjects, and a deeply personal approach to documentary cinema.
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Nguyễn Thiên Ân began his filmmaking journey entirely self-taught, through short fiction films filled with color and imagination. He gradually found his way to real-life stories and the direct cinema approach through documentary work. This transformation did not close off his earlier path but opened a new creative direction: an intriguing interplay between reality and fiction, between observation and construction.
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What the three films share is not theme or geography, but approach: patient, close, and unimposing. The people on screen are neither staged nor embellished. They are simply seen, and sometimes, being seen is enough. CinEscape remains a space where films like these can find the audience they deserve.
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